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Learn to write music that makes bodies move. I'll teach you orchestral color -- how a celesta sounds like falling snow, how a bassoon sounds like a grandfather clock. We score a dance scene from scratch.

Replica of the Pleyel pianos I played in Paris. Lighter action than modern grands. The tone is intimate, almost whispering. Perfect for nocturnes. Tuned to A=430Hz (period pitch).

Private piano lessons focusing on touch, pedaling, and rubato. I don't teach you to play loud. I teach you to play with feeling. Bring your worst piece -- we'll find the music hiding inside it.

Wah-wah, fuzz face, Uni-Vibe, Octavia. I turned noise into music. I'll show you how each pedal works, how to chain them, and how to use feedback as an instrument. The Star-Spangled Banner at Woodstock was feedback, distortion, and the sound of a nation tearing itself apart.

A right-handed Strat strung upside down for left-hand playing. The reversed string tension changes everything -- the tone, the bending, the harmonics. This is why I sounded different from everyone. It's not magic. It's physics and stubbornness.

I arrange entire orchestras in my head, note by note. I can't see the sheet music -- I hear it. I'll teach you to arrange a song for voice and piano, then add horn lines, strings, backup vocals. Start simple. Build. Every arrangement is architecture.

I'll teach you to build a guitar from scratch. Cigar box, plywood, whatever you've got. Electronics, pickups, wiring. The rectangular guitar I played on stage? Built it in my garage. You can build yours in mine.

Built it myself. Cigar box body, broomstick neck, three strings. This is how I started. This is how rock started. You don't need a Gibson to make music. You need a box, a stick, and a beat.

A beat-up upright that sounds like Saturday night in Louisiana. Not a concert instrument. A PARTY instrument. Great Balls of Fire was never played on a Steinway. It was played on a piano like this, with the sustain pedal stuck and the lid wide open.

The Beatles named themselves after my band. That's because I wrote my own songs -- at a time when nobody did. I'll teach you song structure: verse, chorus, bridge. Three chords and the truth. Write something today that didn't exist yesterday.

The Strat. The guitar that defined rock songwriting. Three pickups, tremolo bar, the cleanest tone in rock. I played one on the Ed Sullivan Show. Plug it in, write your song, return it. Or keep writing -- that's what I would do.

I started singing gospel in church. I ended singing everything. I'll help you find your voice -- not my voice, YOUR voice. We work on breath control, vibrato, and the thing nobody teaches: vulnerability. If you're not scared when you sing, you're not singing hard enough.