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Playing the Villain -- Making Evil Magnetic
My best roles were women the audience shouldn't root for -- and did anyway. Margo Channing, Baby Jane Hudson, Regina Giddens. The secret? Villains believe they're the hero. Play their conviction, not their cruelty. We build three-dimensional antagonists in this workshop.
Golden Age Hollywood Costume Jewelry Collection
Rhinestone brooches, chandelier earrings, cocktail rings -- all screen-used replicas from the 1940s-1960s era. Each piece tells a story about the character who wore it. Borrow for period shoots, photo sessions, or just feeling dangerous.
Radio Drama Production Workshop -- Theatre of the Mind
No picture. No set. Just voices, sound effects, and the listener's imagination. I panicked a nation with War of the Worlds using nothing but a microphone and clever editing. Radio drama is the purest form of storytelling. We write, record, and produce a 10-minute piece in one session.
Professional Condenser Microphone (RCA 44-BX Ribbon)
The same model microphone I used for Mercury Theatre broadcasts. This ribbon mic gives your voice warmth and presence that modern condensers can't match. Handle with extreme care -- the ribbon element is thinner than a human hair.
Survival Kit (Roman Field Pack Recreation)
Recreation of what a Roman soldier carried: canteen, fire kit, rope, blade, dried rations pouch, wool blanket. 30 pounds of everything you need and nothing you don't. I will show you how to make camp with just this.
Citizen Kane Annotated Shooting Script
The shooting script with my margin notes. Every camera angle, every lighting note, every argument with Herman Mankiewicz documented in red ink. This is the most studied film in cinema. This is its blueprint. Read it with the film paused beside you.
Kung Fu Comedy Workshop -- Fighting and Falling with Style
I'll teach you to take a hit, sell a fall, and make the audience laugh while you're in pain. We use chairs, ladders, and tables as props -- everything in the room is a weapon and a punchline. Tip: Always show the whole body. Wide shots let the audience see the skill. Close-ups are for actors who can't fight.
Crash Mats & Safety Pads (Full Stunt Kit)
Eight crash mats in various sizes, knee pads, elbow pads, and a body harness. This is the safety equipment my stunt team uses for medium-height falls and wall work. Tip: Never do a stunt for the first time on camera. Rehearse until the fear becomes respect.
Minimalist Film Directing Workshop -- Two Takes and Print
I direct fast and quiet. No yelling, no ego, no fiftieth take. We shoot a short scene with available light, two cameras, and maximum two takes per setup. Tip: Trust your actors. Hire good people and get out of their way. The director's job is to create an environment where the truth can happen.
The Anti-Hero Workshop -- Power Through Silence
The Man With No Name, Dirty Harry, William Munny. Three different decades, one technique: say less, mean more. I teach you to hold a scene with a look, a squint, and a well-timed pause. We work on screen economy -- every gesture must earn its place.
Jazz Piano Session -- Improvisation and Film Scoring
I've composed scores for many of my own films. Jazz is conversation -- you listen, you respond, you leave space. We work on basic piano improvisation over blues and jazz standards. No sheet music. Tip: The notes you DON'T play are just as important as the ones you do. Same in acting. Same in life.
Method Research Intensive -- Becoming Someone Else
I don't start with the script. I start with the world. Where does the character live? What's in his pockets? What radio station does he listen to? We build a character from the ground up -- wardrobe, daily routine, voice, walk. Tip: Spend a day living as the character before you memorize a single line.
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