Film Directing Masterclass -- Composing with the Camera
Description
I teach directing the way I learned painting -- through composition. Where is the eye drawn? What is the relationship between foreground and background? We use storyboards, not shot lists. Every frame should be a painting that moves. Tip: Use multiple cameras. Actors perform differently when they don't know which camera is live.
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€35 common.per_session
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Kurosawa's Editing Room
To be an artist means never to avert one's eyes
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Tokyo, JP
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