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Graphic Design & Film Poster Workshop

I designed every poster, title card, and publication for my films. Typography is architecture. Layout is storytelling. We design a film poster from scratch -- concept, typography, illustration, and final composition. Bring a film idea or I'll give you one. Tip: A poster is a one-second film. It must convey mood, genre, and intrigue in a single glance.

Calligraphy & Lettering Set (Bengali + Roman Scripts)

Professional calligraphy kit with nibs, inks, and practice sheets for both Bengali and Roman scripts. I designed the Ray Roman typeface -- typography was as important to me as cinematography. This kit includes my template sheets for poster lettering.

Sketchbook & Colored Pencil Set (Fellini's Dream Kit)

Large-format sketchbook (A3) and 72 professional colored pencils -- the same tools I used for my dream journals. The sketchbook has thick paper that handles ink and pencil. Keep it by your bed. Draw before coffee. The dreams are freshest in the first five minutes.

Italian Cinema History -- Neorealism to Surrealism

We screen one of my films alongside a Rossellini or De Sica film and trace the evolution from neorealism to surrealism. How did Italian cinema go from Bicycle Thieves to 8 1/2 in fifteen years? The answer is autobiographical. We'll trace it together. Nino Rota's music is mandatory.

Self-Reinvention Workshop -- Becoming Who You Choose to Be

Archie Leach became Cary Grant. A poor boy from Bristol became the most suave man in Hollywood. I teach you that persona is a craft -- voice, posture, wardrobe, and the stories you tell about yourself. We're not faking it. We're CHOOSING who to become. Tip: Dress for the role you want, walk like you already have it, speak like it's already yours.

Acrobatics for Actors -- The Pratfall as Art

I was an acrobat before I was an actor, and every physical comedy beat I ever did came from tumbling with Bob Pender's troupe. Forward rolls, backward falls, the controlled stumble, and the pratfall that looks accidental but is engineered to the inch. We work on mats. Tip: The funnier the fall, the more controlled it actually is.

Gladiator Combat Training -- Arena Fundamentals

One-on-one combat training with wooden practice weapons. Gladius technique, shield work, footwork, reading your opponent. Tip: Never attack first. Let them commit, then make them pay for it. We train until your body remembers what your mind forgets under pressure.

Roman Gladius & Scutum (Training Replicas)

Weighted wooden gladius and full-size scutum shield replica. The gladius is 24 inches -- short, brutal, designed for close work. The shield is your real weapon -- it creates the opening. The sword just finishes the job.

Spartan Hoplite Shield & Dory Spear -- Training Set

Full-weight bronze-faced aspis (36 inches, 15 pounds) and 8-foot dory spear replica. The aspis protects the man to your left -- that is the foundation of the phalanx. You fight for your brother, not yourself.

Phalanx Formation Workshop -- Team Combat Drills

Group session (8-16 people). Learn the Spartan phalanx -- shield wall, spear discipline, advance and retreat as one body. Tip: The phalanx is not a formation. It is a contract. Every man protects the man beside him. Break the contract and the line breaks.

Companion Cavalry Training -- Mounted Combat

Mounted combat on horseback with xyston lance and kopis sword. The Companions were the finest cavalry in the ancient world -- we shattered the Persian line at Gaugamela with a wedge charge at gallop. Tip: The horse is not transport. The horse is a weapon. Learn to fight as one creature.

Voice & Narration Workshop -- Making People Listen

I've narrated documentaries, audiobooks, and the voice of God himself. The secret? Slow down, breathe deeply, and mean every word. We work on resonance, pacing, and the art of reading text as if you're discovering it for the first time. Tip: Read the sentence silently first. Feel it. THEN say it aloud.